Dance Work
- Series Title: Trespass
- Title: Dance Work
- Choreographer: Siobhan Davies
- Choreographer - Comments:
- Dancers: Amanda Britton,Gill Clarke,Sean Feldman,David Hughes,Jeremy James,Paul Old,Catherine Quinn,Deborah Saxon
- Dancers - Comments: David Hughes replaced Paul Old (injured) for the Trespass/The Art of Touch Spring 1996 tour.
- Music: Gerald Barry
- Music - Comments: Piano Quartets (1996, 1992) by arrangement with Oxford University Press
- Composer: Gerald Barry
- Composer - Comments:
- Sound Score:
- Sound Score - Comments:
- Sound Installation:
- Sound Installation - Comments:
- Conductor:
- Conductor - Comments:
- Musicians: Andrew Ball (piano),Beverly Davison (violin),Catherine Edwards (piano),Tim Gill (cello),Rebecca Hirsch (violin),Joely Koos (cello),Vicci Wardman (viola)
- Musicians - Comments: Scored for piano, cello, violin and viola
Spring 1996: Catherine Edwards, Tim Gill, Rebecca Hirsch, Vicci Wardman
Autumn 1996: Andrew Ball/Catherine Edwards, Tim Gill/Joely Koos, Beverly Davison, Vicci Wardman - Writer:
- Writer - Comments:
- Artist:
- Artist - Comments:
- Designer: David Buckland
- Designer - Comments: Credited in original programme as Set Design
- Lighting Design: Peter Mumford
- Lighting Design - Comments:
- Sound Engineer: Ron Thomson
- Costume Designer: Sasha Keir
- Costume Designer - Comments:
- Costume Maker: Sasha Keir
- Costume Maker - Comments:
- Film Director:
- Film Director - Comments:
- Production Manager:
- Photographer:
- Painter:
- Author:
- Video Documenter:
- Audio Documenter:
- Editor:
- Editor - Comments:
- Contributors: Nick Redgrave, David Buckland, Sasha Keir, Tom Corbishly
- Contributors - Comments: Nick Redgrave (Sphere Construction);
David Buckland & Sasha Keir (Figure Construction);
Tom Corbishly (Flying Assistance) - Other TV/Film/Radio credits:
- Other TV/Film/Radio credits - Comments:
- Summary: Trespass is the first half of two companion pieces, the second being Affections. David Buckland's designs are constructions that act as extensions to the dancers' bodies. Peter Mumford designed a large light-filled ball, free of wires so it could move. These structures and props are manipulated and negotiated by the dancers that 'trespass' into the stage space. The work includes a commissioned score by Gerald Barry.
- Publisher: SDDO
- Production Date - Original: 1996
- Production Date - SDDO: 03/04/2008
- Format Original:
- Source: SDDO
- Relation: Profile
- Duration:
- Word Count: 0
- Venue:
- Tour: with Art of Touch:
10/05/96 - 11/05/96 - Grand Theatre, Blackpool
20/05/96 - 21/05/96 - Mercury Theatre, Colchester
31/05/96 - 01/06/96 - Theatre Royal, Newcastle upon Tyne
04/06/96 - 05/06/96 - Crucible Theatre, Sheffield
with Affections:
16/10/96 - 17/10/96 - Oxford Playhouse
25/10/96 - 26/10/96 - Snape Maltings Concert Hall
29/10/96 - 30/10/96 - Queen Elizabeth Hall, London
01/11/96 - 02/11/96 - Royal Northern College of Music, Manchester
05/11/96 - 06/11/96 - Espoo Cultural Centre, Finland
08/11/96 - 09/11/96 - Birmingham Repertory Theatre
14/11/96 - 16/11/96 - Stranmillis College Theatre, Belfast Festival at Queens -
Web Links:
- Subscription only: Public
- Available at SDD-only:
- Copyright Statement:
- Copyright Agreement:
- Rights ownership:
- Analysis: 'Several months ago, before starting rehearsal with the dancers, I asked the composer, costume, stage and lighting designers to contribute dynamically different elements, each of which had the potential to alter and influence the other components of the work - music, design and movement. The title of the piece comes from the idea that all of these elements would be trespassing on the others' domain' (Siobhan Davies, programme note, 1996).
- Permanenent URL: http://www.siobhandaviesreplay.com/record.php?id=30